Art news / Archive

A stimulating search game: Neïl Beloufa’s installation “The Moral of the Story“ in Piazza Liberty in Milan

The company Henraux has realized a fable of the artist as bas-reliefs in marble

Citizen solidarity in response to Covid-19: eight sculptures of applauding hands made of Macael Marble were installed in Andalusia

The works of art are a reminder of the applause that people gave professionals in hospitals, among others, in the fight against the pandemic

Sculptors from Japan and around the world may enter work models or photos of models respectively for the 29th Biennale in the city of Ube, Japan 2022

The highest prize money is ¥ 4 million (US-$ 36,000), altogether the awards are nearly ¥ 10 million (US-$ 90,000)

Are art and culture not different from consumption and commerce? is the real question in a farce in the Moselle town of Traben-Trarbach in Germany

The dispute is about the local tourism fee which stone local sculptor Jürgen Waxweiler refuses to pay

Rolling Stones (“Pedras Rolantes“) in the Portuguese way in the pavement of the city of Évora

The artist Bernardo Bagulho creates faces and masks from leftover pieces from a sculpture center and thus sets charming accents on paths and squares

Sculptors and other artists may apply (until July 31, 2021) for residence scholarships of Künstlerhaus Lukas in Ahrenshoop, Northern Germany

Open for artists residing in Germany, in the countries around the Baltic Sea as well as in Norway, Iceland and the UK

Call for entries (until August 31, 2021): exhibition and award for artworks dealing with the impact of technologies on today’s art

International applicants shall present works in which the culture-forming role of modern tools and machines plays a central role

“Tactile experience as a very important aesthetic dimension in sculpture“

In the exhibition “This Living Hand“ in the Henry Moore Studios & Gardens curated by Edmund de Waal, visitors are invited to touch the works in stone and bronze

Sensation in Dresden: a skull in white marble has been attributed to the famous Italian sculptor Gian Lorenzo Bernini

Friedrich August I of Saxony, better known as Augustus the Strong, had purchased the masterpiece in 1728, but later it got forgotten

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